Abschied - Music theater with Solistenensemble Kaleidoskop and soloists of the Lower Saxony State Orchestra
Musiktheater
Direction Michael Rauter
Choreography Milla Koistinen und Michael Rauter
Musical direction and arrangement Ethan Braun
With Solistenensemble Kaleidoskop Fatima Agüero, Mia Bodet, Fanny Didelot, Isabelle Klemt, Yodfat Miron, Sophie Notte und Mari Sawada
With soloists of the Lower Saxony State Orchestra Olof von Gagern, Viktoria Henke, Sandra Huber und Thomas Huppertz
Stage and Light Ladislav Zajac
Dramaturgy Maja Zimmermann
Costume Johanna Perret
Sounddesign Johann Günther
Composition Ethan Braun, Sophie Notte und Michael Rauter
Sound Mixing Sam Jones
Livestream Boiling Head Media
Camera Christina Voigt und Yanina Soledad Isla
Live Edit Ranav Adhikari und Michael Rauter
Production Solistenensemble Kaleidoskop
We are pleased to present the planned program as a livestream with film elements.
How is a new beginning to be found following an end? It is this question that soloist ensemble Kaleidoskop devotes themselves to in their new production of music theatre, "Abschied" ("Farewell"). Their point of departure is the last movement of Gustav Mahler's 9th Symphony, the Adagio: "Very slowly and restrained." In his final completed work, Mahler movingly describes the farewell to life and transition to death, and, at the same time, the passage into a new epoch.
The soloist ensemble Kaleidoskop and soloists of the Hannover State Orchestra of Lower Saxony, together with director and composer Michael Rauter, choreographer Milla Koistinen, composer Ethan Braun, costume designer Johanna Perret, and artist Ladislav Zajac, explore the time span between a completed "before," to which there is no return, and a still uncertain "after." Together they examine what it would be like if such an intermediate state were to last forever...
Mahler's music has been orchestrated for a small ensemble and its performative, tonal, and spatial aspects reinterpreted. This appropriation frees the composition from the overwhelming pathos of a great orchestral work and reveals its multi-layered potential. The soloist ensemble Kaleidoskop thus once again creates a piece of music theatre that shifts traditional ways of listening and focuses on the physicality of the music and of the music-makers themselves.