Encounters – Embodied Practices: #3 Vocal Practices
With Peny Chan und Rully Shabara
Workshop
© Forecast 7, Camille Blake
© Forecast 7, Camille Blake
Ticket Prices
Free admission.
Unfortunately, all places are taken, but there is the possibility to join on site, if registered participants do not show up.
"#3 Vocal Practices" is open to all who are interested. There is no age limit, previous experience is not required.
Photographs will be taken during the workshop. If you do not wish to be photographed, please inform our team when you arrive.
We continuously adapt our hygiene concept to current developments and changing regulations. Please inform yourself about the applicable hygiene measures before your visit.
In mid-November, singers Peny Chan and Rully Shabara issue an invitation to Radialsystem’s third instalment of “Encounters – Embodied Practices.” Their praxis and dialogue format tests singing techniques that boost self-confidence and offers insight into the tradition and topicality of Peking opera. Rully Shabara invites participants to sing together in a choir, where the focus is less on the music and more on valuing work with the human voice. Peny Chan complements the element of praxis with a cultural-theoretical introduction to the eventful history of Peking opera as well as its techniques and forms of presentation.
“#3 Vocal Practices” takes place in cooperation with the international mentoring program “Forecast”. As part of “Forecast,” Chan and her mentor Shabara are exploring the traditional vocal techniques of Peking opera and their deconstruction as a new, experimental vocal genre. The result of their collaboration will be presented next year at “Forecast Festival 7” from 17 to 18 March at Radialsystem.
Further information on „Encounters – Embodied Practices“
Cast
Hosts
Peny Chan
Rully Shabara
Biographien
Peny Chan begann ihre Gesangsausbildung und ihre Bühnenauftritte im Alter von vier Jahren. In ihrer Arbeit versucht Chan, den kulturellen Austausch und die Transformation traditioneller Kunst und Kultur in experimenteller Musik zu erforschen. Die Sängerin, Schauspielerin und Lehrerin schloss 2018 ihr Studium am LASALLE College of the Arts Singapore mit einem BA(Hons) in Musiktheater ab. Chan ist außerdem Gründerin und künstlerische Leiterin von PenPlay Productions und Managerin der Jet Leang Dance Theatre Company in Georgetown, Penang, Malaysia. Derzeit macht sie ihren Master-Abschluss in Kunst- und Kulturmanagement.
Der Musiker Rully Shabara interessiert sich für die menschliche Stimme als Medium der Schöpfung und für Sprache als Experimentierobjekt. Er erforscht Stimmumfang, Texturen und Spiritualität in seiner Band Senyawa und entwickelte ein konzeptionelles sprachgesteuertes Projekt. Er initiierte zahlreiche Projekte mit der Stimme als Hauptelement und hat weltweit Workshops abgehalten, die die menschliche Stimme als ergiebige Ressource für die Erforschung ursprünglicher Ausdrucksformen und Improvisationen nutzen.
Programme
Further "Embodied Practices" dates
#4 Moving Through Emergencies
19 11 2022 7.30-9.30 am
20 11 2022 7.30-9.30 am
with Thiago Granato
#5 foRest – slow medicine
19 11 2022 4-5.30 pm
20 11 2022 4-5.30 pm
with Martha Hincapié Charry
Language
English
Encounters – Embodied Practices
Are corporeal techniques part and parcel of what we call culture? Or does culture only arise out of their performance? How do we generate knowledge through shared corporeal practices? And how is knowledge production connected with power? “Encounters – Embodied Practices” is a new series developed by Radialsystem together with Associate Curators Raphael Moussa Hillebrand, Rocío Marano, Sandhya Daemgen and Martha Hincapié Charry. “Embodied Practices” centres around the preservation and transmission of corporeal practices stemming from different cultural contexts and focuses on a form of knowledge production that begins with the body and experience. “Embodied Practices” is an experiential form of knowledge transmission.
Credits
In the frame of "Encounters - Embodied Practices". "Encounters" is a project by Radialsystem and is supported by DIEHL+RITTER/TANZPAKT RECONNECT, funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR. Hilfsprogramm Tanz.
In cooperation with Forecast. Forecast is a project by Skills e. V. in cooperation with Radialsystem. Forecast is funded by the Federal Government Commissioner for Culture and the Media and is a member of the Future Architecture Platform.
In mid-November, singers Peny Chan and Rully Shabara issue an invitation to Radialsystem’s third instalment of “Encounters – Embodied Practices.” Their praxis and dialogue format tests singing techniques that boost self-confidence and offers insight into the tradition and topicality of Peking opera. Rully Shabara invites participants to sing together in a choir, where the focus is less on the music and more on valuing work with the human voice. Peny Chan complements the element of praxis with a cultural-theoretical introduction to the eventful history of Peking opera as well as its techniques and forms of presentation.
“#3 Vocal Practices” takes place in cooperation with the international mentoring program “Forecast”. As part of “Forecast,” Chan and her mentor Shabara are exploring the traditional vocal techniques of Peking opera and their deconstruction as a new, experimental vocal genre. The result of their collaboration will be presented next year at “Forecast Festival 7” from 17 to 18 March at Radialsystem.
Further information on „Encounters – Embodied Practices“
Cast
Hosts
Peny Chan
Rully Shabara
Biographies
Peny Chan begann ihre Gesangsausbildung und ihre Bühnenauftritte im Alter von vier Jahren. In ihrer Arbeit versucht Chan, den kulturellen Austausch und die Transformation traditioneller Kunst und Kultur in experimenteller Musik zu erforschen. Die Sängerin, Schauspielerin und Lehrerin schloss 2018 ihr Studium am LASALLE College of the Arts Singapore mit einem BA(Hons) in Musiktheater ab. Chan ist außerdem Gründerin und künstlerische Leiterin von PenPlay Productions und Managerin der Jet Leang Dance Theatre Company in Georgetown, Penang, Malaysia. Derzeit macht sie ihren Master-Abschluss in Kunst- und Kulturmanagement.
Der Musiker Rully Shabara interessiert sich für die menschliche Stimme als Medium der Schöpfung und für Sprache als Experimentierobjekt. Er erforscht Stimmumfang, Texturen und Spiritualität in seiner Band Senyawa und entwickelte ein konzeptionelles sprachgesteuertes Projekt. Er initiierte zahlreiche Projekte mit der Stimme als Hauptelement und hat weltweit Workshops abgehalten, die die menschliche Stimme als ergiebige Ressource für die Erforschung ursprünglicher Ausdrucksformen und Improvisationen nutzen.
Related
