Encounters – Embodied Practices: #5 foRest – slow medicine
Practice format with Martha Hincapié Charry
Workshop
© Phil Dera
© AMAZONIA 2040, HAU - Tanz im August (c) Gianni Bettucci
Ticket Prices
Free admission.
Unfortunately, all places are taken, but there is the possibility to join on site, if registered participants do not show up.
"#5 foRest – slow medicine" is open to all interested parties. People from the BIPoC context are especially welcome.
Photographs will be taken during the workshop. If you do not wish to be photographed, please inform our team when you arrive.
We continuously adapt our hygiene concept to current developments and changing regulations. Please inform yourself about the applicable hygiene measures before your visit.
Ticket Prices
Free admission.
Unfortunately, all places are taken, but there is the possibility to join on site, if registered participants do not show up.
"#5 foRest – slow medicine" is open to all interested parties. People from the BIPoC context are especially welcome.
Photographs will be taken during the workshop. If you do not wish to be photographed, please inform our team when you arrive.
We continuously adapt our hygiene concept to current developments and changing regulations. Please inform yourself about the applicable hygiene measures before your visit.
Slowness as a healing process: deactivating the body with the sunset, leaving the burden of the day behind – “foRest – slow medicine” opens a space of deceleration. Artist Martha Hincapié Charry carves out an evening space dedicated to slowing down and regeneration, inviting us to reflect upon the connection between the current crisis of our natural resources and our relationship to a moment’s pause.
“foRest – slow medicine” is open to all interested parties; BIPoC are especially welcome. Participants will be passively involved; a basic openness to being barefoot and coming into contact with the earth is desired.
Further information on „Encounters – Embodied Practices“
Cast
Curated by
Martha Hincapié Charry
Biographien
Martha Hincapié Charry ist Kolumbianerin mit indigener Herkunft. Als BIPOC-Künstlerin, Choreographin, Performerin und Kuratorin mit dem Schwerpunkt „Dekolonialität“ lebt sie in Berlin. Sie studierte Tanz in ihrem Heimatland und schloss ihr Tanztheater- und Solotanzstudium an der FolkwangHochschule Essen unter der Leitung von Pina Bausch sowie ihren Master Art in Context an der Universität der Künste UdK Berlin ab. ab. 2019 war sie Stipendiatin des Pina Bausch Fellowships für Tanz und Choreografie. Seit 2011 ist Martha Hincapié Charry künstlerische Leiterin von „Plataforma/SurReal Berlin“. Seit 2021 ist sie assoziierte Kuratorin im Rahmen des Programms „Encounters“ im Radialsystem. In ihrer kuratorischen Arbeit eröffnet sie einen Dialograum zwischen den Kontinenten, in dem durch eine transdisziplinäre Reflexion die Themen Klimachaos, (De-) Kolonialismus und die Beziehung zwischen Kunst, Mensch/mehr als Mensch, und die sichtbare mit der unsichtbaren Welt eine Plattform finden.
Programme
Further "Embodied Practices" dates
#1 Urban Practices
10 09 2022 2-6 pm
with Anja Jadryschnikova, Prince Ofori und Raphael Moussa Hillebrand
#2 Matria – Motherland
29 10 2022 2-6 pm
with Rocío Marano
#3 Vocal Practices
12 11 2022 2-6 pm
with Peny Chan and Rully Shabara
Enfällt: What's That Noise?
12 11 2022 2-6 pm
with Sandhya Daemgen
#4 Moving Through Emergencies
19 11 2022 7.30-9.30 am
20 11 2022 7.30-9.30 am
with Thiago Granato
Language
German, English, Spanish
Encounters – Embodied Practices
Are corporeal techniques part and parcel of what we call culture? Or does culture only arise out of their performance? How do we generate knowledge through shared corporeal practices? And how is knowledge production connected with power? “Encounters – Embodied Practices” is a new series developed by Radialsystem together with Associate Curators Raphael Moussa Hillebrand, Rocío Marano, Sandhya Daemgen and Martha Hincapié Charry. “Embodied Practices” centres around the preservation and transmission of corporeal practices stemming from different cultural contexts and focuses on a form of knowledge production that begins with the body and experience. “Embodied Practices” is an experiential form of knowledge transmission.
Credits
In the frame of "Encounters - Embodied Practices". "Encounters" is a project by Radialsystem and is supported by DIEHL+RITTER/TANZPAKT RECONNECT, funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR. Hilfsprogramm Tanz.
Slowness as a healing process: deactivating the body with the sunset, leaving the burden of the day behind – “foRest – slow medicine” opens a space of deceleration. Artist Martha Hincapié Charry carves out an evening space dedicated to slowing down and regeneration, inviting us to reflect upon the connection between the current crisis of our natural resources and our relationship to a moment’s pause.
“foRest – slow medicine” is open to all interested parties; BIPoC are especially welcome. Participants will be passively involved; a basic openness to being barefoot and coming into contact with the earth is desired.
Further information on „Encounters – Embodied Practices“
Cast
Curated by
Martha Hincapié Charry
Biographies
Martha Hincapié Charry ist Kolumbianerin mit indigener Herkunft. Als BIPOC-Künstlerin, Choreographin, Performerin und Kuratorin mit dem Schwerpunkt „Dekolonialität“ lebt sie in Berlin. Sie studierte Tanz in ihrem Heimatland und schloss ihr Tanztheater- und Solotanzstudium an der FolkwangHochschule Essen unter der Leitung von Pina Bausch sowie ihren Master Art in Context an der Universität der Künste UdK Berlin ab. ab. 2019 war sie Stipendiatin des Pina Bausch Fellowships für Tanz und Choreografie. Seit 2011 ist Martha Hincapié Charry künstlerische Leiterin von „Plataforma/SurReal Berlin“. Seit 2021 ist sie assoziierte Kuratorin im Rahmen des Programms „Encounters“ im Radialsystem. In ihrer kuratorischen Arbeit eröffnet sie einen Dialograum zwischen den Kontinenten, in dem durch eine transdisziplinäre Reflexion die Themen Klimachaos, (De-) Kolonialismus und die Beziehung zwischen Kunst, Mensch/mehr als Mensch, und die sichtbare mit der unsichtbaren Welt eine Plattform finden.
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