Resynthesising the Traditional Lab Finale
CTM Festival 2025
Concert Talk Performance
© Stefanie Kulisch
Ticket Prices
12 Euro
Tickets are sold via the CTM Festival ticketing platform:
www.ctm-festival.de/festival-2025/tickets
During CTM 2025, the Resynthesising the Traditional artistic lab regrouped eight artist fellows selected via open call to engage critically and in-depth with aesthetic, discursive, and technological approaches when connecting to musical and cultural heritage.
On this final festival day, artist and researcher meLê yamomo opens with a lecture-performance style conversation with Sri Margana, and Amabilita Celessya Shafaswara, created with the artistic and production support of Jay Yamomo, Rafaga Svara, and Yiping Tian. Titled »Tumrap susilaning gěndhing winor laguning lělagon [redux]« the conversation asks if recorded voices, music, and sound cultures stored in museums and archives in Europe just in exile, waiting for their return to their communities?
Following a short break, the fellows of the artistic lab Anna Jurkiewicz, Bela, Bilawa Respati, Marie Yevkiné Tirard, Medina Bazarğali, Nakul Krishnamurthy, Shoty Ndjoli, and trē seguritan abalos come together to present their various practices and some of the sounds, themes, prototyping, and ideating that took part during the lab. Hosts Susie Ibarra and Stas Shärifulla anchor the day with introductions, interjections, and invitations for audience reactions and discussion.
Cast
Speakers
meLê yamomo
Sri Margana
Amabilita Celessya Shafaswara
Anna Jurkiewicz
bela
Bilawa Respati
Medina Bazarğali
Nakul Krishnamurthy
Shoty Njoli
trē seguritan abalos
Curated by
Susie Ibarra
Stas Shärifullá
Biographien
Stas Shärifullá, auch bekannt als HMOT, ist eine in Basel lebende Künstler*in und Forscher*in, die sich mit Sound und Dekolonialität beschäftigt. Geboren und aufgewachsen in Ostsibirien, Russland, mit Başqort (Bashqort)-Wurzeln, nimmt Stas dieses doppelte Erbe als Ausgangspunkt, um die Politik der Indigenität zu untersuchen und dabei sowohl persönliche als auch globale Perspektiven zu reflektieren. Als autodidaktische Computermusiker*in und Quraysı entwirft Stas Live-Performances, die sich damit beschäftigen, wie musikalische Traditionen mutieren und sich entwickeln.
CTM 2025 will visit Radialsystem over seven consecutive days from 27 January to 2 February, uniting music experimentation and performances with a 5-day discourse programme and an artistic lab.
This festival edition will run without an overarching theme, instead exploring a series of new and ongoing thematic strands. One of several points of focus will be on how traditional art forms and aesthetics can be reinterpreted within modern sound and performance, outside of (self-)exoticisation and the uneven power dynamics created by mass-cultural and other stereotypes.
→ To the complete programme of CTM Festival 2025 at Radialsystem
Credits
The CTM 2025 Festival programme at Radialsystem is funded by the Berlin Senate Department for Culture and Social Cohesion, Goethe-Institut, Federal Foreign Office, SHAPE+ and tekhné programs of the European Union, Pro Helvetia, the Embassy of the Netherlands, and Deutschlandfunk Kultur.
Media partners: Deutschlandfunk Kultur, Refuge Worldwide, The Wire, The Berliner, Rausgegangen, taz. die tageszeitung and tip Berlin.
During CTM 2025, the Resynthesising the Traditional artistic lab regrouped eight artist fellows selected via open call to engage critically and in-depth with aesthetic, discursive, and technological approaches when connecting to musical and cultural heritage.
On this final festival day, artist and researcher meLê yamomo opens with a lecture-performance style conversation with Sri Margana, and Amabilita Celessya Shafaswara, created with the artistic and production support of Jay Yamomo, Rafaga Svara, and Yiping Tian. Titled »Tumrap susilaning gěndhing winor laguning lělagon [redux]« the conversation asks if recorded voices, music, and sound cultures stored in museums and archives in Europe just in exile, waiting for their return to their communities?
Following a short break, the fellows of the artistic lab Anna Jurkiewicz, Bela, Bilawa Respati, Marie Yevkiné Tirard, Medina Bazarğali, Nakul Krishnamurthy, Shoty Ndjoli, and trē seguritan abalos come together to present their various practices and some of the sounds, themes, prototyping, and ideating that took part during the lab. Hosts Susie Ibarra and Stas Shärifulla anchor the day with introductions, interjections, and invitations for audience reactions and discussion.
Cast
Speakers
meLê yamomo
Sri Margana
Amabilita Celessya Shafaswara
Anna Jurkiewicz
bela
Bilawa Respati
Medina Bazarğali
Nakul Krishnamurthy
Shoty Njoli
trē seguritan abalos
Curated by
Susie Ibarra
Stas Shärifullá
Biographies
Stas Shärifullá, auch bekannt als HMOT, ist eine in Basel lebende Künstler*in und Forscher*in, die sich mit Sound und Dekolonialität beschäftigt. Geboren und aufgewachsen in Ostsibirien, Russland, mit Başqort (Bashqort)-Wurzeln, nimmt Stas dieses doppelte Erbe als Ausgangspunkt, um die Politik der Indigenität zu untersuchen und dabei sowohl persönliche als auch globale Perspektiven zu reflektieren. Als autodidaktische Computermusiker*in und Quraysı entwirft Stas Live-Performances, die sich damit beschäftigen, wie musikalische Traditionen mutieren und sich entwickeln.
