deen
  • 23.08.Fri
  • 24.08.Sat
Deborah Hay: The Match

Tanz im August – Cullberg/Deborah Hay: The Match

RE-Perspective Deborah Hay: Works from 1968 to the Present

The 31st edition of “Tanz im August” invites you to experience the diversity of contemporary dance for four weeks at numerous venues throughout the city. In addition to international, Berlin and German premieres, the audience can expect productions by international stars and choreographers from the Berlin scene. Following retrospectives of Rosemary Butcher and La Ribot, “Tanz im August” 2019 will devote a major exhibition to choreographer Deborah Hay entitled “RE-Perspective Deborah Hay: Works from 1968 to the Present”.

  • 23.08.Fri
  • 24.08.Sat
Deborah Hay: ten

Tanz im August – Deborah Hay: ten

RE-Perspective Deborah Hay: Works from 1968 to the Present

The 31st edition of “Tanz im August” invites you to experience the diversity of contemporary dance for four weeks at numerous venues throughout the city. In addition to international, Berlin and German premieres, the audience can expect productions by international stars and choreographers from the Berlin scene. Following retrospectives of Rosemary Butcher and La Ribot, “Tanz im August” 2019 will devote a major exhibition to choreographer Deborah Hay entitled “RE-Perspective Deborah Hay: Works from 1968 to the Present”.

  • 29.08.Thu
  • 30.08.Fri
  • 31.08.Sat

New Empathies: Pillow Talk

Performance by Begüm Erciyas

Da nur eine begrenzte Anzahl von Personen gleichzeitig in die Performance eingelassen werden kann, möchten wir Sie bitten, ein Ticket für ein bestimmtes Einlass-Zeitfenster zu erwerben: 19 Uhr, 19.20 Uhr, 19.40 Uhr 20 Uhr, 20.20 Uhr, 20.40 Uhr 21 Uhr, 21.20 Uhr, 21.40 Uhr 22 Uhr, 22.20 Uhr, 22.40 Uhr 23 Uhr New Empathies – A Series of Programmes on Practicing the Empathic: In a climate of an increasingly diverging society, the concept of empathy is experiencing a renaissance. Whereas the ability to empathize is used as a means in the struggle against rage at the supposedly other, still others see in it the danger of a sentimental depoliticization. With “New Empathies”, radialsystem launches a series of programmes that approaches the possibilities of practicing the empathic in concerts, installations, choreographic works, workshops and discussions, while examining its potential in relation to artistic, technological, political and ecological issues.

  • 30.08.Fri
Extinction Room

Extinction Room & Nocturne for broken vocal cords

Installation & Performance by Sergiu Matis

Extinction Room is a performative multi-channel sound installation consisting of recordings of extinct and endangered bird species. It explores the idea of nature in western society and its representation in artistic and cultural products, at a time when climate change specialists have given us permission to panic. In this solo version the audience will be guided through a soundscape developed in collaboration with composer AGF (aka Antye Greie). The performer will tell the stories of these species as we listen to their calls, cries and songs from the speakers that hang in the space like cages. The birds’ extinction narratives will interweave with their myths. Folk songs and dances will be brought to life. The emotional load – the sorrow – will be augmented by the performer, who will skilfully guide the visitors through these traumatic experiences of loss. The first phase of Extinction Room was shown in June 2019 at Art Radionica Lazareti in Dubrovnik. Following the Berlin phase it will move to eXplore dance festival in Bucharest, then Bozar Brussels as part of Europalia Festival, and back to Berlin for Tanznacht in September 2020. The bird sounds are courtesy of the Macaulay Library at the Cornell Lab of Ornithology and the Xeno-canto Foundation. Extinction Room will be performed alongside Sergiu Matis’ Nocturne for broken vocal cords, one of his Noise Nocturnes, a series of performances and texts that revisits the romantic genre in its fascination for the night and darkness, imitating nature and flirting with folklore. The massive blocks of acoustic and motoric noise, as well as the abundance of recycled texts spoken at high speed or shouted, constitute the dense score of the nocturne. Choreographic tools applied to movement and voice make navigation possible through the overload of glitched and fragmented moves and sounds, by supporting chaos with coherence. Intense shouting transforms the voice into a hopeless and hurtful tune. New Empathies – A Series of Programmes on Practicing the Empathic: In a climate of an increasingly diverging society, the concept of empathy is experiencing a renaissance. Whereas the ability to empathize is used as a means in the struggle against rage at the supposedly other, still others see in it the danger of a sentimental depoliticization. With “New Empathies”, Radialsystem launches a series of programmes that approaches the possibilities of practicing the empathic in concerts, installations, choreographic works, workshops and discussions, while examining its potential in relation to artistic, technological, political and ecological issues.

  • 01.09.Sun
Ohrknacker: Ricardo Eizirik

Ohrknacker: Ricardo Eizirik

Conversational Recital with the Trio Catch

Open ears for new sounds: The concerts in Trio Catch’s “Ohrknacker” series each focus on a piece of contemporary music that is played two times and in between is examined more closely in exchange with the audience – not as a musicological analysis, but as a personal conversation about the music. This evening, the young Brasilian composer Ricardo Eizirik will be a guest with “obsessive compulsive music” (2018).

Ra
dar

Radial and new. From here and all over the world.

Eine performative Mehrkanal-Soundinstallation aus Aufnahmen gefährdeter und ausgestorbener Vogelarten bietet den Hintergrund der Performance Extinction Room & Nocturne for broken vocal cords / Sergiu Matis in der der Performer die Besucher*innen durch eine traumatische Verlusterfahrungen führt.
Radialsystem V
1 hour ago
Tipp! Die einmonatige Veranstaltungsreihe „Was der Körper erinnert. Zur Aktualität des Tanzerbes“ der Akademie der Künste umfasst die Ausstellung „Das Jahrhundert des Tanzes“ mit Archivalien, ikonischen Fotografien und Filmausschnitten sowie Aufführungen von mehr als zwanzig aktuellen Tanzproduktionen, die das Erbe der Tanzmoderne zeitgenössisch fortschreiben. Foto: „Fase, Four Movements to the Music of Steve Reich“, 1982. Eine Choreografie von Anne Teresa De Keersmaeker. Foto © Jean Luc Tanghe
Radialsystem V
6 hours ago
A match made in heaven nennt Deborah Hay das Aufeinandertreffen der Performer*innen und des Publikums in Cullberg / Deborah Hay: The Match. Die deutsche Erstaufführung der Produktion könnt ihr am 23. und 24. August bei uns erleben!
Radialsystem V
1 day ago
RT  @HeroinesOfSound :  @femalepressure  radio @  @OrangeFM  has announced and played some music from artists of our upcoming festival edition @…
Radialsystem V
1 month ago
RT  @okkyunglee : in a month  @Forecast_PF  forum will take place  @radialsystem  in berlin... dani kyengo o’neill from south africa is one of th…
Radialsystem V
2 months ago
RT  @HeroinesOfSound : Heroines of Sound Festival, July 12th - 14th w/  @RondaDeMujeres   @BeatrizSoulier  /Uruguay Adriana A. Navarro, https://t…
Radialsystem V
2 months ago